The Sony 70-200mm F2.8 is an exceptionally sharp instrument with minimal correctable defects. We have collected amazing photos from all over the world that showcase captures on Sony cameras and lenses. Sony a7rIII + Sony 70-200mm f/2.8 @85mm | 1/200 f/4 ISO 100. Color fringing is most often a problem at wide aperture while flare tends to worsen at smaller apertures. However, when I have needed to drop the shutter speed, such as the image above, I’ve been impressed! Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. In real world shooting, the vignette is unlikely to detract from most images but you will want to correct landscapes. Sony a7rIII + Sony 70-200 f/2.8 GM @185mm | 1/1000 f/2.8 ISO 320. I believe this is an outstanding lens and is on par, or better, than the Nikon and Canon counterparts. I’ll start with the foreground bokeh. Overall I tend to not mind either shape. The Sony 70-200mm f/2.8 GM is a fantastic telephoto lens in the G-Master lineup. Introduction The combination of fast aperture and long focal length creates significant background separation or background blur. Right now there are no alternatives if you need an f/2.8 Sony telephoto lens, other than adapting the slightly cheaper Canon or Nikon counterparts. Below, we see from some sharpness crops, the slight high contrast color fringing we see at wide open aperture. If rating on image quality alone, the Sony 70-200mm F/2.8 is remarkable. Impeccable sharpness. About Sony open. This light weight ultra fast telephoto zoom lens has a maximum aperture of f:2… The autofocus motor is also quiet when shooting. For those that don’t really need the 2.8 aperture, the Sony 70-300mm G or Sony 70-200mm F/4 (Review here) may be better choices. The focus ring and zoom ring are both smooth and comfortable with rubber ribbed coating. Sony E to PL Adapter --- $25.00 This means that the f/4 lens has a maximum magnification ratio of 0.13x while the f/2.8’… Zoom is internal so the lens does not extend further. The lens arrived completely non-functional. I can’t call the results weak, just less strong than the shorter focal lengths. The Sony mirrorless cameras in particular, have the most advanced and accurate autofocus we have seen thus far. 4.4 out of 5 stars At f2.8, there is some softness. 2,304 posts Gallery: 621 photos Best ofs: 1 Likes: 4084 Joined Dec 2008 Location: Kansas City. I had noticed some reviews that were less than spectacular but I try to be my own judge (and try not to read any reviews around the time I’m conducting my review). It’s also a heavy weight lens at 1480 grams. I then borrowed a copy, intending to test it for review. Based on the examination of the borders, we see the softness we would expect in the corners. This photo was taken on the Sony a7rIII camera. As you zoom, it becomes slightly pincushion distortion at 200mm below. It provides a good amount of extra stability at slower shutter speeds. Distortion is correctable but the correction of distortion affects the sharpness as the image is stretched or compressed. All in all, it would appear to be up to the standards in build quality of the best Sony lenses. I find the photograph actually understates the size difference, particularly the weight. It seems like I am going to break the threads on it sometimes, and the paint has also chipped off. Oh bokeh, that thing many photographers love, and sometimes love too much! If rating on image quality alone, the Sony 70-200mm F/2.8 is remarkable. I finally obtained another copy for testing, resulting in the test images in this review. A big issue with many lenses is the ability to handle backlit situations and situations where there may be a strong light (sun) at the edge of the frame. The tripod collar feels solid and sturdy, and I rather like the detachable foot. It just might be. One might argue that the paint could be a bit thicker, or more durable, even though it has seen a lot of use. As you can see, it’s very sharp wide open and close to the edge! Sony a7III + Sony 70-200 f/2.8 GM @70mm | 1/125 f/3.2 ISO 1000. (The much hyped Sony 55mm F/1.8 has far worse fringing even stopped down to F4). The zoom mechanics have a nice, tight feel, giving it some light resistance. Sony FE 70-200mm f/2.8 GM (G Master) OSS E-Mount Lens - Bundle with Flashpoint Zoom Li-on X R2 TTL On-Camera Round Flash Speedlight, 77mm Filter Kit, Cleaning Kit $2,458.81 Get the deal At worst, it sometimes exhibits unpredictable flare. Teleconverter compatibility. At worst, it sometimes exhibits unpredictable flare. Zoom lenses tend to have worse bokeh (quality of the background separation) than prime lenses. Essentially, as a fast telephoto lens, it is most often used for portraits (due to the potential for compression and background separation), low light (as in events like weddings), and sports. We crop centers, border areas and the extreme corners. Overall, I would say I have been very impressed with the level of detail and sharpness from the Sony 70-200mm. I’m getting close to my goal of reviewing every Sony FE lens (at least those produced by Sony). You’ll note along the silver and white, just a very slight purple outlining. But bokeh is one of the reasons you invest in a telephoto 2.8 lens. A 70-200mm F2.8 lens is a standard professional level tool in every camera mount system. But for just about any other use, this lens has plenty of sharpness at any aperture. The products in this post may contain affiliate links. If you’re shooting portraits, nobody is looking to see whether the corners are sharp. As a wedding and portrait photographer, I find the 70-200mm focal range to be incredibly useful. I'd get mine at Adorama, at Amazon, at B&H or at Crutchfield. $485.00 Used. LIKES 5 LOG IN TO REPLY. I don’t notice any noises coming from the lens, unlike with the Sony 85mm f/1.4 GM. However, there is some interesting flare when used without the lens hood. Sony a7III + Sony 70-200 f/2.8 GM @154mm | 1/400 f/2.8 ISO. • f/13 • ISO 100 IMAGE LINK: https://flic.kr/p/2iRB Zkv SMD08080_2 by shintarodesign , on Flickr close search. Furthermore, being able to stop down to f/2.8 is valuable in a dark church. I’m personally fond of the effect, but it’s a lot tamer when using the lens hood! The full specifics remain to be seen, but released images suggest that the Canon R 70-200mm F/2.8 will utilize a much more compact design. Performance in the borders is essentially identical to the center of the frame. The Sony 70-200mm f/2./8 GM does have built-in image stabilization to go alongside the in-body stabilization of the newer Sony mirrorless cameras. Any lingering softness is fully resolved by F4. Vignetting is slightly worse at 200mm, demonstrated below. Sony’s Purpose & Values. The Sony FE 70-200mm f2.8 G Master is a professional telephoto zoom lens for Sony’s Alpha mirrorless cameras. By their very nature, 70-200mm F/2.8 lenses are very heavy and very expensive. There is really nothing negative I can say about the image quality. More info. Let’s take a look: At 70mm, the center of the 70-200mm F/2.8 is tack sharp. There is a generous collection of buttons and switches: programmable focus hold buttons around the barrel; autofocus/manual focus switch, switches for optical steady shot in two different modes, and a focus distance limiter switch. Read our detailed comparison of the Sony FE 70-200mm F4 G OSS vs Tamron 70-180mm F2.8 Di III VXD to find out their strengths and weaknesses, and decide which one to choose. Our Business ... FE 70-200mm F2.8 GM OSS: Lens focal Length: 200mm: 35mm equivalent focal length: 200mm: Shutter speed: 1/2500 sec. Chad Winstead Photography is made up of Chad & Beth – Voted #1 Wedding Photogs by Chad’s mom. The f/2.8 optic can focus as close as 0.96m regardless of the focal length and focusing method. 5 out of 5 stars (31) Total Ratings 31, $35.00 New. I was surprised to find unpredictable flare patterns even wide open at F2.8. For most types of F2.8 shooting, this is simply not an issue. 2,313 posts Gallery: 621 photos Best ofs: 1 Likes: 4140 Joined Dec 2008 Location: Kansas City. We test from two distances. Additionally, if you switched to mirrorless in the hopes of saving weight, the Sony 70-200mm F/2.8 won’t be doing your back any favors. About Sony Top. Overall, things just get slightly weaker at the long 200mm end. Sony a9 + Sony 70-200mm f/2.8 GM @200mm | 1/500 f/3.2 ISO 160. Post edited over 1 year ago by smaeda. If you leave the lock button on the lens, you can shoot it as an 28mm f/2.8 prime and unlock it to become a flexible super zoom. Very sharp image wide open, even on 200mm, improved a lot comparing to G1, as i played few years ago (on a900). Discover the FE 70-200 mm F2.8 GM OSS from Sony & explore all the α Lenses features. The large hood has a window for adjusting filters (though I found the window would accidentally slide open). It’s an exceptional lens. These are not “ugly” corners you would find with some lenses — in fact, even at F2.8, I would call the corners fairly sharp. To do that, you loosen a twist knob on the side, then push a button the front to eject it and slide it off the Sony 70-200mm. Check out this image below, where I removed the lens hood to get a little crazy. With 61mp sensors coming to Sony cameras shortly after this review is published, all the more reason to look for lenses that can really maximize sharpness. At the closer distance, I would say 2.8 is fully tack sharp. Looking at a reliable expert, I would point my readers to the Lensrentals blog teadown article. Sony 70-200mm F2.8 GM compared to Sony 70-200mm F/4. Innovative G Master F2.8 super telephoto Sony's most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. It’s also one of the heaviest lenses made for these small, lightweight bodies. Sony a7III + Sony 70-200 f/2.8 GM @200mm without lens hood | 1/800 f/2.8 ISO 100. smaeda. At 42mp, a lens has to be really sharp to render well on this camera. The “GM” or “G Master” designation is now used by Sony for their top quality high end professional lenses. Again we see the Sony 70-200mm F2.8 shine at 135mm. Fortunately, any corrections are minimal with the Sony 70-200mm F/2.8. Aside from the 1 stop difference in the maximum aperture of the two lenses, there are a few other differences between them. This large aperture telephoto zoom lens, incorporating Sigma's original Optical Stabilizer function, covers focal lengths from 70mm to 200mm and offers a constant aperture of F2.8 over the entire zoom range. Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. Let’s take a look at some of the beautiful rendering and blur that the Sony 70-200mm can produce so you can see for yourself! 3-5:  A compromised lens that may still be suitable for some shooters and situations. These situations can cause color fringing and flare, the result of sensor and glass reflections. It’s very clear from the off that this is a professional level lens built to top standards. My score is primarily for enthusiasts… Those who tend to shoot mostly for fun and self-fulfillment. ©2006 Sony Corporation Printed in Japan SAL70200G Lens for Digital Single Lens Reflex Camera Operating Instructions 70-200mm F2.8 G 2-696-862-11(1) Attaching/detaching the lens To attach the lens 1 Remove the rear and front lens caps and the camera body cap. As noted in the article, the Sony 70-200mm F/2.8 was using a lot of design specifics that were new and unique at the time. In the next 1-2 months, you can expect reviews of the Sony 135mm F/1.8 GM, 70-300mm G and Sony 50mm F/2.8 macro. KCmike THREAD ­ STARTER. There were no problems at that shoot. I don’t shoot much at slow shutter speeds, since I am dealing with a lot of movement at events. Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. Overall, if you are buying the Sony 70-200mm, you know it will be large and heavy, but the performance more than makes up for the weight. Metabones Sony E to Canon EF SpeedBooster --- $30.00. Let’s see how it compares to the equivalent lenses in other systems: Canon and Nikon will soon be introducing equivalent lenses for their mirrorless systems. This versatile range enables diverse photographic expression, from wide-angle shooting of expansive landscapes to close-up and compressive compositions in telephoto shooting. This new lens would add significant flexibility for users of Sony Alpha cameras, covering the main portrait focal lengths and short telephoto range, combined with … Sturdy, weather-sealed construction. They simply aren’t tack sharp until F5.6. The bokeh almost creates a swirly pattern. Yes, the lens is pricey and heavy, but I think the pros of this lens outweigh the cons. Search. Goldmember. The f/4 version has a minimum focus distance of 1-1.5m when focusing with the AF system and 1-1.35m when focusing manually. I didn’t think that was possible! Discover the FE 70-200mm F2.8 GM OSS from Sony & explore all the α Lenses features. We complete our review of the Sony FE “holy trinity” of lenses with the Sony 70-200mm F/2.8 GM. Below, see the size comparison with the Sony 70-200mm F/4 G lens. Let’s look at the quality of that blur. The Sony 70-200mm F2.8 is an exceptionally sharp instrument with minimal correctable defects. Peak sharpness may be F4, but F2.8 is truly excellent as well. Don’t get me wrong, I am a fan of good rendering. It’s built like a tank. No expense was spared in the body design. This photo was also taken wide open at f/2.8! We see the 200mm focal length being just a tad weaker again. Sigma may be about to bolster its lens range with the launch of a new 70-200mm f/2.8 zoom, featuring a Sony E mount. The focus ring is very smooth as well, with less resistance. Unfortunately, I must share some anecdotal notes. LIKES 3 LOG IN TO REPLY. Similar third party options are likely coming for Sony, just not yet. Simply, I wouldn’t be surprised if mechanical issues are more common with the Sony 70-200mm F/2.8 GM than with other Sony lenses in general. As of this writing, the price of the Sony 70-200mm F/2.8 GM is just under $2,600, making it more expensive than all but two of the current Sony camera bodies. (2 edits in all) Jun 26, 2019 09:42 | #2695. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. Unfortunately, I did not get to test the autofocus in challenging sports situations. Looking at the bokeh in context, it really is very very good for a zoom lens. The Sony 70-200mm F2.8 G is one of the original group of lenses announced at the launch of the company's Alpha system in June 2006. Moving away from the center, the borders hold up just find at 70mm. bigger. It is a professional grade lens, and if you need a workhorse in this focal range, this is as good as it gets in terms of autofocus and image quality. You can help to support this blog at no additional cost to yourself by making your purchases through our links. Before finalizing this review, I used three different copies of the Sony 70-200mm F/2.8. Vignetting is an issue with many Sony lenses but is simply not a significant problem in the Sony 70-200mm F/2.8 GM at 70mm. When using the Sony 70-200mm for ceremonies and fast-moving action, I never have to worry about missing a moment. As a super zoom, the Tamron 28-200mm is a game changer, it's quite sharp throughout the entire focus range. The lens hood is honestly the cheapest-feeling part in terms of materials, as it has a plastic feel to it. Metabones Micro Four Thirds to Canon EF Smart Adapter --- $25.00. Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. For now, we see that the Sony 70-200mm F/2.8 does not save any weight compared to the dSLR offerings and certainly doesn’t save any money. (Buy the Sony 70-200mm F/2.8 on Amazon / Adorama.) Metabones Micro Four Thirds to Canon EF Speedbooster ULTRA x.71 --- $30.00 Metabones Micro Four Thirds to Canon EF Speedbooster XL x.64 --- $30.00. But focus seemed fast, smooth and silent on the Sony A7riii and Sony A9. Sony a9 + Sony 70-200 f/2.8 GM @135mm| 1/2500 f/2.8 ISO 100, Sony a9 + Sony 70-200 f/2.8 GM @127mm | 1/800 f/2.8 ISO 500. LIKES 1 LOG IN TO REPLY. While it’s capable of great portraits, I would prefer to stock a couple of great Sony prime lenses that will offer lower weight and better bokeh. Sony a9 + Sony 70-200 f/2.8 | 1/30 f/2.8 ISO 6400. Below see the vignetting at 70mm from F2.8 to F8. Do the pros of this lens outweigh the pounds? This image has the default sharpening from Lightroom applied, and the image has been lightly edited for some color and contrast. These G-Master zooms have really negated the sharpness argument. I feel these mechanics may have been refined a bit better in more recent lenses. KCmike THREAD ­ STARTER. Those who truly need a 70-200mm F/2.8 lens can buy the Sony version with no regrets. In addition to an ideal zoom range for nature, sports, and other photography that requires a bit more “reach” that a mid-range zoom provides, this lens offers outstanding corner-to-corner sharpness from 70 mm to 200 mm in a compact, lightweight unit that is a perfect match for compact full-frame E-mount bodies like the α7 series. The buttons are very secure and do not feel cheap at all. Weight: 52.21oz / 3.26 lb / 1480 g (without tripod mount). Tripod collar is included with a removable foot. Out of focus highlights result in smooth soft circles that become “cat’s eyes” at the edges of the frame. Sony's full-frame E-mount version happens to carry the 'GM' logo, designating it one of the brand's highest quality pieces of glass. Canon and Nikon dSLR shooters not only have cheaper first party offerings, they can also use third party 2.8 lenses that may be half the price. Everything here weighs in at a solid 1340g. LIKES 3 LOG IN TO REPLY. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. Things are very nearly tack sharp in the extreme corners even at F2.8. I do have some concerns about the mechanical reliability. 1,378 posts Likes: 3096 Joined Aug 2012 Location: Shawnee, KS. The build quality and feel of the Sony 70-200mm GM is outstanding. Obviously, stopping down to f/5.6-f/8 will yield even sharper results! 6-8:  recommended with caveats. While there were no major problems, there were a couple of occasions the lens seemed to just stop focusing until I turned off and turned back on the camera. sponsored links (this ad will go away when you log in as a registered member) Sony FE 70-200mm f/2.8 GM (77mm filters, 54.5 oz./1,545g, 3.1'/1m close focus, about $2,598). From close focus, the results are tack sharp even at F2.8. At F4, we again get tack sharp results. Those who need it should know they need it. It simply doesn’t quite match the quality you might achieve with a good prime lens. Distortion was slightly worse than I expected but still not bad enough to be a real negative. And the best modern lenses can really wow us in their ability to resolve detail. Sony α7 III / ILCE-7M3 • Sony FE 70-200mm F2.8 GM OSS @198mm • 20s. Here it is at 100% crop. Sony 70-200mm F2.8 environmental portrait, Sony 70-200mm F2.8 with tripod collar and switches, OSS and AF/MF switches on Sony 70-200mm F2.8, 70mm f2.8 distortion – slight barrel corrected, 200mm f2.8 pin cushion distortion – corrected, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on LinkedIn (Opens in new window), Canon R 70-200mm F/2.8 will utilize a much more compact design, Programming instant reaction button on the Sony A7riii, A7iii and A9, Recommended Sony A6400 lenses and accessories, Sony FE 12-24mm F/4 G at Universal Studios, Sony FE 24mm F1.4 GM at Universal Studios, Rokinon Samyang 85mm F 1.4 Review for Sony. At 3.26 lbs (1,480g), the Sony 70-200mm’s weight doesn’t bother me as much as some other lenses. We see some slight color fringing at F2.8 which resolved at F4. The 70-200mm F2.8 is a staple piece of kit for a lot of professional and advanced shooters. The question is, is the extra cash worth it, and in all the cases where I've spent more money instead of being frugal, this is the hardest one to justify because the delta is just so enormous. The build quality of the Sony 70-200mm f/2.8 is outstanding. Long story short: The autofocus is very quick and very accurate! As of August 2019, I’ve nearly completed my review of every mainstream Sony FE lens in current production. At F4, it’s rather mild and almost gone by F5.6…. The Tamron SP AF70-200mm R/2.8 Di LD [IF] Macro for Sony AF Mount is the newest in Tamron's long line of high quality lenses. However, I am not going to shoot every moment of the wedding day at f/1.4 and f/2.8. I find this is the best way to stabilize the lens and distribute the weight when shooting. I first used it at a Be Alpha event on a Sony A9 (some of the model shots in the samples came from that shoot). We tested the latest models to find out: the Canon RF 70-200mm F2.8L IS USM, Nikon Nikkor Z 70-200mm F2.8 VR S, Sony FE 70-200mm F2.8 GM OSS and the Panasonic Lumix S Pro 70-200 F2.8 O.I.S. At 2.8, it’s quite noticeable but still not totally detrimental. I have found no chromatic aberration in any of my photos with the Sony 70-200mm, and the distortion is minimal as one would expect with a telephoto. I do have some concerns about the mechanical reliability. News Releases. Strong backlighting led to some purple and green color hazing and ghosting. Sony G-Series 70-200mm F/2.8 GM OSS FE Universal Camera Lens. In this review of the Sony 70-200mm f/2.8 GM, I will be hitting on the following criteria : Let’s dive in to the review to see if this lens is worth your hard earned cash…. Sony 70-200mm F2.8 fixed zoom G Master lens An incomparable constant aperture F2.8 70-200 mm telephoto zoom with extraordinary G Master resolution that offers unsurpassed rendering and bokeh, blazing AF, and extraordinary image stabilization performance Summary The Tamron 28-200mm f2.8-5.6 Di III is a small and light all-in-one zoom designed for mirrorless cameras with full-frame sensors. Image stabilization. The limited lesson if is you need to print a massive critically sharp 200mm landscape/product image, that is sharp corner to corner, stop down to F5.6 or smaller. And 135mm centers from closer focus distance: The Sony 70-200mm F2.8 GM appears sharpest in the middle of the zoom range. We will examine sharpness at 70mm, 135mm and 200mm. Unlike many zoom lenses, the bokeh centers are free of onion-ring effects. 200mm vignette corrected and uncorrected: Flare – Chromatic Aberration/Purple Fringing. The Sony 70-200mm F/2.8 GM is no exception to the generalization of hefty weight and price. More info There are a few clunkers out there where the sharpness is really an issue. People generally love primes for their size, wide open apertures, and SHARPNESS. 1-2:  Just stick to your phone camera). Sigma 15mm F2.8 EX DG Diagonal Fisheye $609.00: Sigma 20mm F1.4 DG HSM | A $899.00: Sigma 24mm F1.4 DG HSM | A $849.00: Sigma 35mm F1.4 DG HSM | A $899.00 Some people like to talk about great zoom lenses as having “prime like” sharpness and the Sony 70-200mm F/2.8 is certainly sharper than some bargain prime lenses, but it still can’t really quite match the best primes. Do … It’s also one of the heaviest lenses made for these small, lightweight bodies. At the further distance, there is a hint of softness in the border at F2.8. Obviously, with a fast telephoto lens like this, it’s very hard to keep it small and light. As noted above, the Sony 70-200mm F/2.8 GM is a hefty lens at almost 1.5kg. Buy the Sony 70-200mm F/2.8 on Amazon / Adorama. Rotating tripod collar. Sony a9 + Sony 70-200 f/2.8 GM @200mm | 1/500 f/3.2 ISO 250. The corners are a true test for any lens. But for most typical uses, most lenses are “sharp enough.” Still, many of us like to examine sharpness in close detail. More info There’s some light vignetting when shot wide open, which is to be expected. The Sony 70-200mm is no exception! The customizable focus hold buttons have a nice subtle click to them as well. As shown above, at 70mm you get slightly barrel distortion. The lens is also compatible with Sony’s teleconverters. Buy Sony FE 70-200mm f/2.8 GM OSS Lens featuring E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/22, One XA Element & Two Aspherical Elements, Four ED Elements & Two Super ED Elements, Nano AR Coating, Dual Linear & Super Sonic Wave AF Motors, Optical SteadyShot Image Stabilization, Focus Hold Buttons; Focus Range Limiter, Dust and Moisture-Resistant Construction, … The 28-200mm F2.8-5.6 for Sony E-mount covers a broad range of focal lengths in a single lens, starting from 28mm at the wide-angle end to 200mm at the telephoto end. The OS function offers the use of shutter speeds approximately 4 stops slower than … You will notice the bokeh is very smooth and round in the middle but does start to develop some “cat-eye” bokeh towards the edge and corners of the frame. • You can attach/detach the front lens cap in two ways, (1) and (2). However, these GM zoom lenses come at a hefty price…. The Sony 70-200mm f/2.8 G SSM II is fully moisture and dust proof, which is kind of expected at this level of price and quality. But I’d be sure to have a good warranty in place, just in case. Fast foucus, but not that fast enough on a850, maybe will be improved a lot on newer bodies. As a result, these lenses aren’t for everyone, typically for the professionals and well healed amateurs who really need a lens like this. Please follow me on twitter and/or accept notifications from this site, to catch the latest reviews and posts. Internal zoom. Between the weight and price, the Sony 70-200mm F/2.8 GM simply isn’t for everyone. To live up to the G-Master name, a lens must deliver exceptional image quality, have robust build quality, and perform quickly in the autofocus department. We are living in an amazing time for photography. You can also throw on a battery grip to balance it out more! A round of applause. It’s still impossible to put aside the price and weight of the lens. The collar itself is built into the body, but you can release the foot if needed. (About my scoring:  9-10 is a superb lens which could have a place in the bag of almost every photographer. By F4, we get total sharpness. Goldmember. However its history goes back a bit further; it's essentially a re-badge of the Minolta AF 70-200mm F2.8 APO G D … The outlining of the bokeh circles can be a bit strong. But if you don’t mind the weight or price, the lens may be nearly perfect. And if you are shooting landscapes, you’re unlikely to be shooting at F2.8. The F4 lens actually weighs about 45% less than the 2.8 GM lens. A real workhourse of a lens that can take a beating and just keep shooting…. For more casual shooters on the fence about whether they want/need a 70-200mm F/2.8, it might be advisable to put it on hold and see what Sigma and Tamron come out with over the next year or two. At F4, it’s even more mild and is basically gone at F5.6. I own nothing buy f/2.8 and f/4 zooms and f/1.8 and f/1.4 primes and I think this new Tamron lens is amazing. Tamron SP A001 70-200mm f/2.8 LD Di Lens For Nikon. Goldmember. Bright f/2.8 design. F2.8 is still perfectly satisfactory for portrait-type shooting but you are not getting the utmost critical sharpness. In the below portrait, you can really see the “bokeh swirl,” as if there is an inter-dimensional gateway about to swallow my children! Still, I have now used every current Sony FE zoom lens — The Sony 70-200mm F/2.8 is probably the third sharpest Sony zoom lens I have tested, behind only the Sony 100-400mm GM and the Sony 16-35mm F/2.8 GM. This is a guest review of the Sony 70-200mm f/2.8 GM by wedding photographer Chad Winstead. Sony SEL20TC FE 2.0x Teleconverter Lens. With this lens, I’ve had sharp images at long focal lengths all the way down to 1/30th of a second! In reality, I would have no hesitation about the corners even at F2.8. To me, the most critical use cases are weddings (where you may need the flexibility of a zoom and low light of fast aperture at the same time) and sports. Sharpness is overrated. If you are shooting sports or wildlife, the extreme corners are simply not important parts of the frame. Who makes the best 70-200mm F2.8 zoom lens for full-frame? In reality, probably 95% of my misfocused shots with this lens can be chalked up to user error! You can see by the paint wear on these pieces that my lens has been a workhorse for well over a full year of weddings. When shooting from further back, there is a bit of softness at F2.8 which resolves fully by F4. The borders are slightly soft at F2.8 and don’t become totally tack sharp until F5.6. The Sony 70-200mm f/2.8 GM is a fantastic telephoto lens in the G-Master lineup. This means that you can make manual adjustments once the AF has finished, without changing to manual mode. Sony FE 70-200mm F2.8 GM OSS With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. Sony has engineered their lenses to be able to keep up very well – the Sony 70-200mm GM is one of the fastest lenses I have used on my Sony a9. Finally, the Sony 70-200mm F/2.8 GM is equipped with optical steady shot which works in conjunction with the in-camera IBIS system of most Sony cameras. I hold the lens by the tripod collar foot to balance it on the smaller body. I cannot back up my concerns with quantifiable data, so feel free to ignore me. Overall, it wasn’t severe but it showed up a bit more than I expected. Is this one of the best lenses that Sony has to offer? 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